ื ืคืชื— ื‘ื›ืจื˜ื™ืกื™ื™ื” ื—ื“ืฉื”
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ืžืฉื ื” ื™ื•ืžื™ืชืื”ืœื•ืช ื™ืดื–:ื’ืณ - ื™ืดื–:ื“ืณ

Mishnayos Keilim Perek 11 Mishnah 6

ื›ืœื™ื ืคืจืง ื™"ื ืžืฉื ื” ื•ืณ

6
A metal spindle-knob:Rabbi Akiva says it is susceptible to impurity But the sages say it is not susceptible. If it was only plated [with metal] it is clean. A spindle, a distaff, a rod, a double flute and a pipe are susceptible to impurity if they are of metal, but if they are only plated [with metal] they are clean. If a double flute has a receptacle for the wings it is susceptible to impurity in either case.
ืคึผึดื™ืงึธื” ืฉืึถืœ ืžึทืชึผึถื›ึถืช, ืจึทื‘ึผึดื™ ืขึฒืงึดื™ื‘ึธื ืžึฐื˜ึทืžึผึตื, ื•ึทื—ึฒื›ึธืžึดื™ื ืžึฐื˜ึทื”ึฒืจึดื™ืŸ. ื•ึผืžึฐืฆึปืคึผึธื”, ื˜ึฐื”ื•ึนืจึธื”. ื”ึทื›ึผื•ึผืฉื, ื•ึฐื”ึธืึดื™ืžึผึธื”, ื•ึฐื”ึทืžึผึทืงึผึตืœ, ื•ึฐืกึดืžึฐืคึผื•ึนื ึฐื™ึธื”, ื•ึฐื—ึธืœึดื™ืœ ืฉืึถืœ ืžึทืชึผึถื›ึถืช, ื˜ึฐืžึตืึดื™ืŸ. ื•ึผืžึฐืฆึปืคึผึดื™ืŸ, ื˜ึฐื”ื•ึนืจึดื™ื. ืกึดืžึฐืคึผื•ึนื ึฐื™ึธื”, ืึดื ื™ึถืฉื ื‘ึผึธื”ึผ ื‘ึผึตื™ืช ืงึดื‘ึผื•ึผืœ ื›ึผึฐื ึธืคึทื™ึดื, ื‘ึผึตื™ืŸ ื›ึผึธืšึฐ ื•ึผื‘ึตื™ืŸ ื›ึผึธืšึฐ ื˜ึฐืžึตืึธื”:
ื•ืณ
ื‘ืจื˜ื ื•ืจื

ืคื™ืงื” (whorl/spindle knob) โ€“ like a small ball that is perforated in the middle that women place at the top of the spindle when they spin with it in order that it becomes heavy.

ืจื‘ื™ ืขืงื™ื‘ื ืžื˜ืžื โ€“ for it is a metal vessel that has a designation/name of its own, and it is ritually impure, as it is taught in the Mishnah at the beginning of the chapter (Tractate Kelim, Chapter 11, Mishnah 2).

ื•ื—ื›ืžื™ื ืžื˜ื”ืจื™ืŸ โ€“ that it doesnโ€™t have a designation/name of its own but rather an epithet, a spindle knob of reed used as a spindle, or a spindle knob of a that same thing that it uses. And the Halakha is according to the Sages.

ื•ืžืฆืคื” (and if it is overlaid) โ€“ if it was of wood and it is overlaid with metal, it is ritually impure.

ื˜ื”ื•ืจื” โ€“ that after the essence we follow, but not after the covering/overlaying which is of metal which is ritually impure.

ื›ื•ืฉ โ€“ a spindle that the women spin on.

ื•ื”ืžืงืœ (and the staff) โ€“ of metal which is rituall impure, for since a person chastises the animal with it, it is considered like a vessel that is made for the use by a person.

ืกืžืคื•ื ื™ื (a wind instrument) โ€“ a kind of musical instrument, as it is written in Daniel (3:5): "ืคืกื ืชืจื™ืŸ ืกื•ืžืคื ื™ื” [ื•ื›ืœ ื”ื ื™ ื–ืžืจื]"/โ€psaltery, bagpipe, [and all other types of instruments].โ€

ื•ื—ืœื™ืœ โ€“ even it is a kind of musical instrument, and it is hollowed out and its sound is heard from a [great] distance.

ื•ืžืฆื•ืคื™ืŸ ืื”ื•ืจื™ื โ€“ if it is of wood and is overlaid with ritually impure copper, it is [considered] ritually pure. For we follow after the essence of the vessel which is of wood. And if it has a receptacle, it is not considered, even though it is hollow, since it is not made for the receptacle. โ€˜

ืื ื™ืฉ ืœื” ื‘ื™ืช ืงื™ื‘ื•ืœ ื›ืคื ื™ื (if it has a receptacle for the wings [= bags of the bagpipe]) โ€“ small thin vessels in the image of wings, which we put into the wind instrument (i.e., bagpipe), that assist in projecting the sound of the music, if they made it within the place of the receptacle of these wings (i.e., the bags of the bagpipe), it is considered a receptacle.

ื•ื‘ื™ืŸ ื›ืš ื•ื‘ื™ืŸ ื›ืš โ€“ whether it is overlaid or whether it is not overlaid, it is ritually impure.

ืคื™ืงื”. ื›ืžื™ืŸ ื›ื“ื•ืจ ืงื˜ืŸ ื ืงื•ื‘ ื‘ืืžืฆืข ืฉืžืฉื™ืžื•ืช ื”ื ืฉื™ื ื‘ืจืืฉ ื”ืคืœืš ืฉื˜ื•ื•ืช ื‘ื• ื›ื“ื™ ืฉื™ื›ื‘ื“:

ืจืณ ืขืงื™ื‘ื ืžื˜ืžื. ื“ื›ืœื™ ืžืชื›ื•ืช ืฉื™ืฉ ืœื• ืฉื ื‘ืคื ื™ ืขืฆืžื• ื”ื•ื, ื•ื˜ืžื, ื›ื“ืชื ืŸ ื‘ืจื™ืฉ ืคืจืงื™ืŸ:

ื•ื—ื›ืžื™ื ืžื˜ื”ืจื™ืŸ. ื“ืื™ืŸ ืœื• ืฉื ื‘ืคื ื™ ืขืฆืžื• ืืœื ืฉื ืœื•ื•ื™, ืคื™ืงื ืฉืœ ื›ื•ืฉ, ืื• ืคื™ืงื” ืฉืœ ืื•ืชื• ื“ื‘ืจ ืฉื”ื™ื ืžืฉืžืฉืช ืœื•. ื•ื”ืœื›ื” ื›ื—ื›ืžื™ื:

ื•ืžืฆื•ืคื”. ืื ื”ื™ื ืฉืœ ืขืฅ ื•ืžืฆื•ืคื” ื‘ืžืชื›ืช ื˜ืžื:

ื˜ื”ื•ืจื”. ื“ื‘ืชืจ ืขื™ืงืจื ืื–ืœื™ื ืŸ, ื•ืœื ื‘ืชืจ ื”ืฆื™ืคื•ื™ ืฉื”ื•ื ืฉืœ ืžืชื›ืช ื˜ืžื:

ื›ื•ืฉ. ืคืœืš ืฉื”ื ืฉื™ื ื˜ื•ื•ืช ื‘ื•:

ื•ื”ืžืงืœ. ืฉืœ ืžืชื›ืช ื˜ืžื. ื”ื•ืื™ืœ ื•ืื“ื ืจื•ื“ื” ื‘ื• ืืช ื”ื‘ื”ืžื”, ื›ื›ืœื™ ืขืฉื•ื™ ืœืชืฉืžื™ืฉ ืื“ื ื”ื•ื ื—ืฉื•ื‘:

ืกืžืคื•ื ื™ื. ืžื™ืŸ ื›ืœื™ ื–ืžืจ ื”ื•ื, ื›ื“ื›ืชื™ื‘ ื‘ื“ื ื™ืืœ {ื’ืณ} ืคืกื ืชืจื™ืŸ ื•ืกืžืคื•ื ื™ื:

ื•ื—ืœื™ืœ. ืืฃ ื”ื•ื ืžื™ืŸ ืฉืœ ื›ืœื™ ื–ืžืจ, ื•ื—ืœื•ืœ ื”ื•ื ื•ืงื•ืœื• ื ืฉืžืข ืขื“ ืœืžืจื—ื•ืง:

ื•ืžืฆื•ืคื™ืŸ ื˜ื”ื•ืจื™ื. ืื [ื”ื•ื] ืฉืœ ืขืฅ ื•ืžืฆื•ืคื” ื ื—ื•ืฉืช ื˜ืžื, ื˜ื”ื•ืจ ื”ื•ื. ื“ื‘ืชืจ ืขื™ืงืจ ื”ื›ืœื™ ืื–ืœื™ื ืŸ ืฉื”ื•ื ืฉืœ ืขืฅ. ื•ืœื ื—ืฉื™ื‘ ื™ืฉ ืœื• ื‘ื™ืช ืงื™ื‘ื•ืœ ืืขืดืค ืฉื”ื•ื ื—ืœื•ืœ. ื›ื™ื•ืŸ ืฉืื™ื ื• ืขืฉื•ื™ ืœื‘ื™ืช ืงื™ื‘ื•ืœ:

ืื ื™ืฉ ืœื” ื‘ื™ืช ืงื™ื‘ื•ืœ ื›ื ืคื™ื. ื›ืœื™ื ื“ืงื™ื ืงื˜ื ื™ื ื›ื“ืžื•ืช ื›ื ืคื™ื ื ื•ืชื ื™ื ื‘ืชื•ืš ื”ืกืžืคื•ื ื™ื. ืฉืžืกื™ื™ืขื™ื ืœื”ืฉืžืขืช ืงื•ืœ ื”ื ื™ื’ื•ืŸ. ื•ืื ืขืฉื• ื‘ืชื•ื›ื” ืžืงื•ื ืœื‘ื™ืช ืงื™ื‘ื•ืœ ืฉืœ ื›ื ืคื™ื ื”ืœืœื•, ื—ืฉื™ื‘ ื‘ื™ืช ืงื™ื‘ื•ืœ:

ื•ื‘ื™ืŸ ื›ืš ื•ื‘ื™ืŸ ื›ืš. ื‘ื™ืŸ ืฉื”ื™ื ืžืฆื•ืคื” ื•ื‘ื™ืŸ ืฉืื™ื ื” ืžืฆื•ืคื”, ื˜ืžืื”: