Mishnayos Oholos Perek 7 Mishnah 1
ืืืืืช ืคืจืง ืืณ ืืฉื ื ืืณ
1
If there is uncleanness in a wall, in a space of one cubic handbreadth, all upper stories above it, even if there are ten of them, are unclean. If there was a single upper story [built] over two houses, that one becomes unclean but all upper stories above it remain clean. [In a] beach- wall, uncleanness cleaves upwards and downward. [With regard to] a solid tomb monument, a person who touches it from the side remains clean, since [its] uncleanness cleaves upwards and downwards. But if there was a [free] space of a cubic handbreadth in the place where the uncleanness was, a person touching it anywhere becomes unclean, because it is like a closed grave. If he supported sukkot on [the monument] they become unclean. Rabbi Judah declares them clean.
ืึทืึผึปืึฐืึธื ืึทืึผึนืชึถื, ืึผืึฐืงืึนืึธืึผ ืึถืคึทื ืขึทื ืึถืคึทื ืขึทื ืจืึผื ืึถืคึทื, ืึผึธื ืึธืขึฒืึดืึผืึนืช ืฉืึถืขึทื ืึผึทืึผึธืึผ, ืึฒืคึดืึผืึผ ืึตื ืขึถืฉืึถืจ, ืึฐืึตืืึนืช. ืึธืึฐืชึธื ืขึฒืึดืึผึธื ืึทืึทืช ืขึทื ืึผึทืึผึตื ืฉืึฐื ึตื ืึธืชึผึดืื, ืึดืื ืึฐืึตืึธื, ืึฐืึธื ืึธืขึฒืึดืึผืึนืช ืฉืึถืขึทื ืึผึทืึผึธืึผ, ืึฐืืึนืจืึนืช. ืึผึนืชึถื ืฉืึธื ึดืืช, ืึปืึฐืึธื ืืึนืงึทืขึทืช ืึฐืขืึนืึธื, ืึผืึนืงึทืขึทืช ืึฐืืึนืจึธืึถืช. ื ึถืคึถืฉื ืึฒืืึผืึธื, ืึทื ึผืึนืึตืขึท ืึผึธืึผ ืึดื ืึทืฆึผึฐืึธืึดืื, ืึธืืึนืจ, ืึดืคึผึฐื ึตื ืฉืึถืึผึปืึฐืึธื ืืึนืงึทืขึทืช ืึฐืขืึนืึธื, ืึผืึนืงึทืขึทืช ืึฐืืึนืจึธืึถืช. ืึดื ืึธืึธื ืึฐืงืึนื ืึทืึผึปืึฐืึธื ืึถืคึทื ืขึทื ืึถืคึทื ืขึทื ืจืึผื ืึถืคึทื, ืึทื ึผืึนืึตืขึท ืึผึธืึผ ืึดืึผึธื ืึธืงืึนื, ืึธืึตื, ืึดืคึผึฐื ึตื ืฉืึถืึดืื ืึฐืงึถืึถืจ ืกึธืชืึผื. ืกึธืึทืึฐ ืึธืึผ ืกึปืึผืึนืช, ืึฐืึตืืึนืช. ืจึทืึผึดื ืึฐืืึผืึธื ืึฐืึทืึตืจ:
ืืณ
ืืจืื ืืจื
ืืืืืื. ืฉืขื ืืื -that are on top of the wall.
ืืืืืช โ for the wall serves them, and the heads of he beams of the upper room are inserted/stuck in the wall and he wall is high and it is a partition for all of the upper rooms for this one is higher than that one. And especially when the place of defilement is a handbreadth by a handbreadth, for all of the wall is considered like a sealed grave and it brings the defilement to all of the upper rooms. But the wall is not judged half by half because it doesnโt have even a chip/split to the side of the upper room.
ืขืืื ืืืช ืื ืืื ืขื ืืื ืฉื ื ืืชืื โ [that this wall forms a partition between the two houses] and he upper room is built on top of both of them (i.e., the houses).
ืืื ืืืื โ the first upper room, that this wall reaches until the concrete of stone chippings covering the ceiling of the lower story and serving as a flooring for the upper story but the defilement bursts forth and ascends in it.
ืืื ืืขืืืืช ืฉืขื ืืื ืืืืจืืช โ for the concrete of stone chippings covering the ceiling of the lower story and serving as flooring for the upper story/ืืขืืืื that is upon it interposes.
ืืืชื ืืฉืื ืืช โ a wall that is built in the place that sea reaches at the time that it continually stirs up.
ืืืืื ืืืงืขืช ืืขืืื โ if there is defilement underneath it, this wall does not defile all of its surroundings, because there is no cavity of a handbreadth.
ื ืคืฉ ืืืืื (a solid tomb-structure โ to which there is no access) -a marker that they build on the grave to indicate the neighborhood of an unclean place, and that which is filled up is built upon the defilement itself but the corpse is not buried in bier in order that there will have a cavity of a handbreadth.
ืืงืืจ ืกืชืื โ that defiles all of its surroundings through contact.
ืกืื ืื ืกืืืืช โ it refers to the solid tomb-structure/ื ืคืฉ ืืืืื referred to above, that we state that a person who comes in contact with it from the sides is ritually pure, but if he made for this marking put up to indicate the neighborhood of an unclean place Sukkot similar to a lintel, this Sukkah is impure, because it is similar to the tent of a corpse.
ืืจ' ืืืืื ืืืืจ โ since it is from the sides. Bu the Halakha is not according to Rabbi Yehuda.
ืืืืืื. ืฉืขื ืืื. ืฉืขื ืืื ืืืืชื:
ืืืืืช. ืฉืืืืชื ืืฉืืฉ ืืื ืืจืืฉื ืงืืจืืช ืืขืืื ืชืืืืืช ืืืืชื ืืืืืชื ืืืื ืืืื ืืืืฆื ืืื ืืขืืืืช ืฉืื ืืืขืื ืืื. ืืืืงื ืืฉืืงืื ืืืืืื ืืคื ืขื ืืคื, ืื ืืฉื ืื ืืืืชื ืืงืืจ ืกืชืื ืืืืื ืืช ืืืืืื ืืื ืืขืืืืช, ืืื ืืื ืฉื ืืคื ืขื ืืคื, ืืืงืขืช ืื ืืื, ืืืฆืืืื ืืืืจืื. ืืืื ืืืืชื ื ืืืื ืืืฆื ืขื ืืืฆื ืืืื ืืืคืืื ืกืืง ืืืื ืืฆื ืืขืืืืช:
ืขืืื ืืืช ืื ืืื ืขื ืืื ืฉื ื ืืชืื. [ืฉืืืชื ืื ืืคืกืืง ืืื ืฉื ื ืืืชืื] ืืขืืื ืื ืืื ืขื ืืื ืฉื ืืื:
ืืื ืืืื. ืขืืื ืืจืืฉืื ื, ืฉืืืืชื ืืืื ืืืืข ืขื ืืืขืืืื ืืืืืืื ืืืงืขืช ืื:
ืืื ืืขืืืืช ืฉืขื ืืื ืืืืจืืช. ืืืขืืืื ืฉืขืืื ืืืฆืฆืช:
ืืืชื ืืฉืื ืืช. ืืืชื ืืื ืื ืืืงืื ืฉืืื ืืืืข ืฉื ืืขืช ืฉืืืื ืืกืืขืจ:
ืืืืื ืืืงืขืช ืืขืืื. ืื ืืฉ ืืืืื ืชืืชืื ืืื ืืืืชื ืืืื ืืืื ืื ืกืืืืื, ืืคื ืฉืืื ืฉื ืืื ืืคื:
ื ืคืฉ ืืืืื. ืฆืืื ืฉืืื ืื ืขื ืืงืืจ, ืืืื ืืืื ืฉืื ืื ืขื ืืืืืื ืขืฆืื ืืืื ืืืช ืงืืืจ ืืืจืื ืืื ืฉืืืื ืื ืืื ืืคื:
ืืงืืจ ืกืชืื. ืืืืื ืื ืกืืืืื ืืืืข:
ืกืื ืื ืกืืืืช. ืื ืคืฉ ืืืืื ืืืขืื ืงืื, ืืืืจืื ื ืื ืืืข ืื ืื ืืฆืืืื ืืืืจ, ืืื ืขืฉื ืืฆืืื ืื ืืืืื ืกืืืืช ืืขืื ืืฉืงืืฃ, ืืกืืื ืืื ืืืื, ืืคื ืฉืืื ืืืื ืืืืื ืืืช:
ืืจืณ ืืืืื ืืืืจ. ืืืื ืฉืืื ืื ืืฆืืืื. ืืืื ืืืื ืืจืณ ืืืืื: